6 Ways to Motivate Yourself To Write

Ah, writing. Is there anything that is equally fun and nightmarish at the same time? Sometimes we love it. Other times, it’s the bane of our existence. We want to reach the top of the mountain, but the climb up was way harder than we expected.

Don’t fret. Writing a book is a monumental task, and if you ask anyone who’s ever tried, they’ve had problems with staying motivated. I’m not a published author (yet?), so I’m not really qualified to give writing advice, but I have written four novel-length things (avg. 70, 000 words) and can share with you some techniques I use to get myself WRITING. It’s all about starting, mostly, but sometimes, we need an extra push to get started. Here are six ways I have kick-started myself into getting words on the page.

Look at your bookshelf

I imagine that, wanting to be a writer, you have a bunch of books. Look at your bookshelf (or stack of books all over your floor. . .) and realize what is missing. That’s right. Your books! With us being so closely acquainted with our books and characters, it’s easy to forget that no one else has even heard of them. In our minds, they’re already out there for everyone! But they aren’t. They’re not out there in any bookstore. So remember, the only way your book is going to be out there and on a shelf someday (and hopefully, on a BUNCH of shelves all over the world) is if you get to working on it. So take one step closer to having your name among your favorites.

If you want to take this a step further (which I have), go to a bookstore and find where your books would be on the shelf. My guess is that they will be missing there, too. This simply will not do. So get cracking and you’ll be one step closer to having them there.

Set your timer for 30 minutes

In an age of constant distraction, how does anyone expect to actually sit down and write? We watch videos in six seconds, and switch our minds even less (hopefully we still have enough attention to have read this far!). So set your timer for 30 mins and just work on your novel. Lock yourself away and know that 30 mins is going to be devoted to the act of writing. It’s pretty amazing how much you can get done in an uninterrupted 30 mins. If you want to really go nuts, start doing two hour sessions. You’ll get a lot done and the two-hours of hard work will justify the nap you were going to take later anyway.

Writing_girl_thinking
Hmm. . .nap.

Remember what Opportunity Cost is

If you ever took an economics class (and had the willpower to not sleep through it) you might remember a thing called “Opportunity Cost”. For those of you that don’t know what it is, it is essentially the cost of not doing something. For example, if I spend four hours sitting around, that sitting around session cost, according to Opportunity Cost, at an $8/hr rate, 32 dollars, because it could have been four hours that I could have been working. Since I’m guessing you want to make a living at writing, you could apply this idea to your writing schedule. Not writing your book is costing you money, because delaying writing it means you’re further away from the expenses that your book will (hopefully, someday) generate.

Make a “Productivity Contract” with someone

If you want to take the whole Opportunity Cost/Losing Money angle to a whole new level, then go ahead and make what I call a “Productivity Contract” with a friend. (Sometimes these are called Ulysses Pacts). What it is, essentially, is that you set yourself a task, and if you don’t do it by the time specified, you owe your friend 20 bucks. Opportunity Cost, sure, you might theoretically losing money, but by signing this contract, you WILL actually lose money. I’ve used these extensively for things I need to get done (mostly laundry) and the thing is, they always work. By doing what you need to do, you end up saving money and getting work done. It’s a win-win.

Think about your characters and how they want to be written about

I don’t know if you do this, but when I am feeling lazy about writing, I will often think that I am in some sort of meeting with my characters. In this type of scenario, I am a writer, hired to chronicle their crazy adventure, and they are some super-famous group of individuals. I’m the writer chosen to write their tell-all book about their exploits. Here’s the thing. They WANT you to tell their story. Your characters have been on this incredible journey and learned this incredible thing (or whatever), so they want you, their commissioned writer, to get on with and bring it to the world. Their insistence in being heard might just get you to start typing away. Remember from above: No one knows your characters yet.

Writing_upset_girl
Why is he not done writing my story yet? :(

Remember it is your duty to bring this book into the world

Look, ideas are crazy things. We get a million a day, all with different aspects and features (mine are mostly about food). Your book is made up of a bunch of ideas from innumerable sources, and you might be able to think that someone has thought of it all before. But the idea for your novel arrived on YOUR brain’s doorstep. It didn’t arrive at my mental doorstep, or your friend’s or Bill Clinton’s. It arrived at yours. I don’t know about you, but I think story ideas come from whatever you want to call it, the Universe, the great beyond, the weaving of the muses, etc, and what I recognize is that this story is my sole responsibility to bring to all of you. If I don’t, these characters and stories will be lost forever. And if you think someone will, in the next 100 or 1,000 years, come up with the same idea, just remember that no one already has. So don’t see it as a burden, see it as an honor. And be glad to do your duty bringing this thing to life.

What about you? What tips do you use to motivate yourself?

Sincerely,

Casey of Lazy-Writing Land

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Party Time at the Los Angeles Times Fesitval of Books

I was going to publish an article about writing today, but thought why not be topical and write about the biggest book fair in the country, the Los Angeles Times festival of Books! For those of you that have not yet heard about this wonderful thing (I didn’t hear about it until my second year of living in Los Angeles), it’s a huge festival that takes place at the University of Southern California campus. It’s a weekend full of books, authors, panels, signings, booksellers, and fans!

FestivalOfBooks
Oh, and tents!

I would to tell you about all things I saw, but have to be honest and say that I spent the majority of the time looking at the Physical Education building, working at a Special Seller’s booth. Yes, you heard that right. I wasn’t only there. I was working at it, which means I got to lift heavy boxes of books all weekend get there before everyone else. Yay!

In addition to selling some books, I got lost looking getting people food and stumbled upon the John Green line, or should I say the John Green mob. This I found to be a pleasant surprise because I didn’t even know that he was going to be there until that morning. Had I known, I would have been like “Sorryjobcan’tworktodayhavetoseeJohnGreen!!!” While I would have loved to stand in line, get his signature, and tell him how much I love his educational videos (seriously, they are all great), I had to get my fellow booksellers some burger-y fuel. Due to my height, and the fact he was standing at that moment, I was able to see his head, which was enough for me to text my YA-fan friend: “I saw John Green!”

jennifer-lawrence-fangirling-whoalawrence
I saw John Green’s head! From like 40 meters away!

In addition to Mr. Green, I saw some other authors walking around, and was rather impressed with Laini Taylor’s bright pink hair (I will get around to reading Daughter of Smoke and Bone, because everyone, seriously everyone, told me to read it). I didn’t see as much the next day, but heard the line for Veronica Roth (the author of Divergent) was insanely large as well, which is pretty awesome considering that people think kids don’t like to read. If anything, they were the most ravenous and hungry of all the groups that were there (not that the poetry crowd wasn’t rowdy as hell, as they are wont to be).

I don’t really know what I was trying to say with this post (which is great to say in blogging), but wanted to bring out the fact that this year I was there, and last year I totally wasn’t. I was invited to go with my writing group last year, but had to work all weekend at a German market (and like every single fucking weekend I had that job). But really, if anything, this post shows that in 365 days from now, you could be (as I am from last year) one step closer to where you want to be.

If you told me a year ago I’d be at a the Los Angeles Times Festival of Books, and would be even just a small, tiny, tiny part of it, I would have said you were verrückt. I mean, I was technically working this weekend, too, but selling books of authors who were on panels is way closer to where I want to be than telling someone which German mustard goes best with which wurst. (Hint: Bavarian Weisswurst and Sweet Mustard are like made for each other!) And if I could spring from the German market to working at the Festival of Books, who’s to say I could spring from there to bigger book things? Rome wasn’t build in a day, for sure, but at least now, I feel like I’m finally starting to lay down some bricks. And if I can start some brickwork, you can too. :)

What about you? Did you attend the event? Who did you see? If you didn’t go, who would you want to have seen? Who would be on your dream panel?

-Casey of Book-Obsession-Land

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So, I Was Messing Around With Book Cover Ideas. . .

Hello there, everyone. I’m back with a quasi-update about how things are going with my debut novel, y’know, editing and all that. Last year, I wrote about the trials of editing, and this year, I’ll have even more editing to talk (complain) about. In fact, I just posted something about how I was exited to jump into the next draft and how it (hopefully) won’t take as long. (Seriously, I hope it won’t take as long. But who am I kidding, really?)

Filled with the giddy excitement that this thing might actually be done soon, I was brainstorming about the cover. They tell people not to judge a book by its cover, but people TOTALLY DO. I mean, I do it. We all do it. There’s nothing wrong with that, either. In the past, I never really thought about my posters or covers for albums and stuff, but recently noticed that the projects with better covers went more places than those projects whose covers sucked. So really, your cover, which is really like a poster for your book/cd, etc, is HELLA IMPORTANT.

As with anything, I first try to think about what I like. So, what covers do I like of fantasy books? I don’t know why, but I’m more into the retro/adventure type covers. It might be because this is the first epic fantasy book I ever read, but the original cover for the The Elfstones of Shannara is awesome. And so is the one for The Sword of Shannara. Just three people on the front during some cool scene of the book. They even did this for the original cover of The Crystal Shard. Take a look:

covers_theee_people standing
I like that old-school text, too.

They also did this for some of Tracy Hickman and Margaret Weis’ Dragonlance: Chronicles books, but for these, instead of looking heroic, the people were just STANDING THERE. They’re not even adventuring. They’re literally just posing for a picture. That’s great (and kinda hilarious).

covers_Dragonlance_retro
Fine Christmas card photos.

Modern covers are all right, although the trend right now seems to be just like one person in the center, with a weapon, or a hood, turned away from us or toward us. Modern covers of Dragonlance are more or less the same, except now urr’body’s GOT THEIR KNEES BENT:

covers_Dragonlance_KNEESjpg
See? Even the horse is doing it.

Why is that? Something about having your knee up that evokes power or strength? Or do they just really love Captain Morgan? I’m going with the latter theory.

Going back to retro designs, take a look at these old Redwall covers, which are BADASS. In all honesty, has there ever been a bad Redwall cover? They are all so cool. Of course, I could spend an entire blog post just going over the Redwall covers, so I’ll restrain myself. But really:

Redwall_covers
Look at how cool these are!

So, all right, we’ve gone over what I like, but what does this mean for the cover of my book? I’ve said in previous posts that I was going to self-publish this thing, and in doing so, would need a badass cover to break out of the trend of self-pub books having ABSOLUTELY TERRIBLE covers. But before I think too hard about a cover for a self-pub, I’m also thinking of trying to get a small press to pick this up. In that case, I don’t really have much choice (I think), but we’ll see. (I’m back and forth on this, I’ll probably write something on this in the future).

So what should the cover of my book be? To give you a little taste of what the book is, it’s heroic fantasy that is both whimsical and adult. Think The Princess Bride or The Hitchhiker’s Guide to the Galaxy with a bit more curse words. It’s intended to be read like a fairy tale, with silly, magical creatures and high points of adventure! It’ll have those flowery block letters to start off chapters and etc, etc, etc. So what kind of cover would this book need?

It would no doubt be fun to do something that calls back to those old times, but, unfortunately, I need a cover that will both POP AND SELL. No one’s going to appreciate your homage-cover if the only person getting the joke is you, y’know? Since my book is adventure comedy, I might be able to lampoon any style I want, modern or old. But will a girl in a t-shirt with a goofy wizard and either a knight or archer standing there be enough to get people to check it out? Or should they be staring at something off-screen, with bent knees and swords at the ready? Or should they be like Drizzt do’Urden and be fighting on the cover?

Covers_drizztfighting
Seriously, this guy fights a lot.

I’ve thought about it this a bunch, and while I go back and forth about it, this hasn’t stopped me from doodling out concepts. There’s just so many ways to go, and in my never-ending pursuit to be a masochist and TRY EVERY AVENUE EVER, I GIMP’ed this little proof of concept picture, which is a hack-job from at least six different sources:

ADH_COVER_Messing_JPEG

The sky, ground, and rock are random Google searches. The city back there is made from a picture of Oia, Greece and a clock tower from some other city. The girl in front is from a Hildebrandt Brothers’ painting of Eowyn and the Witch-king. The bald part of the wizard’s head is Bruce Willis’ head, and so on.

And sure, this does look interesting, and DOES kind of look like a fantasy cover. And since I apparently had nothing to do the other today, I spent a bunch of hours drawing over it and creating this. Another proof-of-concept test, trying to turn it into something a little more comedic/funny:

ADH_COVER_DOOLE_with_outline
The rock looks pretty great. . .

Of course, the scary creature looks absolutely not scary and some of the drawing is off. That’s all right, this was just a test. I have a dude who I’ve contacted about the art who is way better than me and might be able to make something like this really stand out.

But be honest book fans, would this cover be interesting to you? If it were drawn a little more cartoony and better?

I understand that book covers should do a couple things. Explain your whole novel in one image. In essence, it’s about a group of heroes trying to get to a city, but they’re being stopped by deadly shit on the way. (But does the cover convey they’re trying to GET to the city? Maybe a road leading to it would help?) Does it say anything about the characters? Hmm…their facial expressions could probably say more. Does the city in the back at peak interest? I noticed that almost every cover of “The Wizard of Oz” has the Emerald City in the background, because it’s so damn important. Not to say that my book is like “The Wizard of Oz”, but. . .holy shit, guys, it might be just a little bit. O___O

So what do you think? Please once again note that this is a ROUGH DRAFT and not the final thing, but is this design interesting? What would you like to see in a book cover for a story like this? What do you like on book covers in general?

If all else fails, I’ll just have them all bend their knees.

Stay tuned for more updates!

-Casey

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OTHER GREAT LINKS TO THIS TOPIC:

Debut Novel Editing Update: January 25, 2014 (01.25.2014)
“A Distant Horn” Novel Editing Update: September 26, 2013 (09.26.2013)
“A Distant Horn” Novel Editing Update: July 20, 2013 (07.21.2013)
“A Distant Horn” Update: May 9, 2013 (03.09.2013)

“A Distant Horn” Update: May 9, 2013

Hello everyone, just checking in here with some news about my upcoming self-published debut novel, “A Distant Horn”. Don’t worry, I am still planning to release it on November 1st, although my progress with the editing is going a lot slower (repeat: A LOT SLOWER) than I earlier anticipated. That’s all right, though. I was pretty good in college about spending entire days in the library or the editing bay to meet fast-approaching deadlines. So far with this project, I haven’t had to do anything like that, but have been showing it a bit more attention lately (instead of giving it to those pesky music projects).

As of now, I am some 29,000 words into my first pass of the edit, which is pretty much half way. If I want to do ANOTHER PASS (which my perfectionist self DOES want to do, ugh), then I am 25 percent done with just doing passes before handing it off to my trusty editor friend, who’ll hopefully point out all the typos and none of the plot holes. 25 percent, yikes.

I bet you probably guessed this already, but let me tell you, editing a book is no easy task. Each of my James Bond Countdown articles averages around 2,500-3,000 words, despite my best efforts to cut them down (just love those movies, I guess). Those roughly take me half a day to edit, clean up, and come up with pictures. While I won’t have to find pictures for “A Distant Horn,” it’s around 57,000 words, which means it’s like TWENTY James Bond articles, which is a HUGE amount of work. For some reason I thought editing a book was going to be easy. Just fix a thing here, fix a sentence there. Oh, but wait, I forgot, I CHANGED THE ENTIRE BACKSTORY. Oops!

The work is fine in itself, but a lot of times when I have free time now, I want to do absolutely nothing at all. After your day job, you don’t really want to come home to that unfinished riff or that unedited chapter, that has been waiting there all day with an expectant look because you didn’t work on it YESTERDAY, either. Sometimes you just wanna cook your sweet potato and watch “Frasier” all night, you know what I’m saying? And despite my temporary disinterest in doing this work, I know that I HAVE TO if I want the end result to be as good as it can. It’s like being your own boss, but the only worker is you, and lazy, and doesn’t wanna do anything.

I’ll start editing after this episo. . .season, I swear.

So the clock is ticking for “A Distant Horn”. I have 175 days until my projected release of the book (thank goodness I didn’t make any more promises this year). Will I be able to make it? All I have to do is finish the first pass, do the second pass, draw up the map nicely, give it off to an editor, go over it again, make sure everything is perfect, then hand it off to my graphic designer friend, get a cover from the artist (is he still in the USA?), make the pdf, order a couple proofs to see if its good and then publish it. TOO EASY!

Thank goodness I at least have the first draft of the map, which I decided to draw up at work over the course of a couple days. Marion, the crazy, fantastic world in which “A Distant Horn” and it’s two sequels (DON’T EVEN WANNA THINK ABOUT THOSE ATM!) was finally being realized. It’ll have to be re-drawn on the computer, of course (hire someone to do that?), but I think it’s a pretty nice first draft. Check it out and stay tuned!

Click me to enlarge!

Oh, and please, wish me luck. I’ll need it!

Sincerely,

Casey Poma